Free Essays on African Sanctus

: † African Sanctus is a universal work who’s impact is immediate, whose message is simple, the driving force is one of Praise and a firm belief in One Music - One God. It informs both listener and performer about African music and its relationship to Western polyphony† Fanshawe’s project is to †compose" a meeting between what he feels are two equal but different cultures. His intentions are pure and obviously nothing but good-hearted. I think the most successful parts, according to the intention of the project is movement#2, †Kyrie: Call to Prayer†. The Call is recited in Islam and the Choral Kyrie is sung in Latin, and this hybrid creates a strange but beautiful harmony between the two praises. One is to Allah, the other to the Christian God and, as written the program notes: †This fusion emphasises the musical relationships that do exist between the Muslim and Christian faiths; an affirmation of belief in the one God.† In movement#12 he repeats this composition: †Although the composition is virtually the same as No. 2, the juxtaposition of tape to live is completely different. The resulting tempo is therefore more fluid; the choir singing a cappella conveys an ambience of space and timelessness, which expresses unity of faith through prayer.† This two movements reminds me in a strange way about Jan Garbarek and The Hilliard Ensemble’s recording †Officium†, were Garbarek are playing his saxophone in collaboration with the Latin choral songs, even though both saxophone and the chorales on †Officium† is western based. And like Pharaoh Sanders proclaims in his powerful composition †Karma†: †The creator has a masterplan, peace and happiness for EVERY man, the Creator has but one demand, happiness through all the land† It works as a therapy on ... Free Essays on African Sanctus Free Essays on African Sanctus BEST INTENTIONS A critical essay about David Fanshawe ´s African Sanctus The Project Fanshawes project †African Sanctus† in his own words: † African Sanctus is a universal work who’s impact is immediate, whose message is simple, the driving force is one of Praise and a firm belief in One Music - One God. It informs both listener and performer about African music and its relationship to Western polyphony† Fanshawe’s project is to †compose" a meeting between what he feels are two equal but different cultures. His intentions are pure and obviously nothing but good-hearted. I think the most successful parts, according to the intention of the project is movement#2, †Kyrie: Call to Prayer†. The Call is recited in Islam and the Choral Kyrie is sung in Latin, and this hybrid creates a strange but beautiful harmony between the two praises. One is to Allah, the other to the Christian God and, as written the program notes: †This fusion emphasises the musical relationships that do exist between the Muslim and Christian faiths; an affirmation of belief in the one God.† In movement#12 he repeats this composition: †Although the composition is virtually the same as No. 2, the juxtaposition of tape to live is completely different. The resulting tempo is therefore more fluid; the choir singing a cappella conveys an ambience of space and timelessness, which expresses unity of faith through prayer.† This two movements reminds me in a strange way about Jan Garbarek and The Hilliard Ensemble’s recording †Officium†, were Garbarek are playing his saxophone in collaboration with the Latin choral songs, even though both saxophone and the chorales on †Officium† is western based. And like Pharaoh Sanders proclaims in his powerful composition †Karma†: †The creator has a masterplan, peace and happiness for EVERY man, the Creator has but one demand, happiness through all the land† It works as a therapy on ...